Futura Seoul's
2nd Poem


Anthony McCall (British, b. 1946)

           Anthony McCall is known for his ‘solid-light’ installations, a series that he began in 1973 with “Line Describing a Cone,” in which a volumetric form composed of projected light slowly evolves in three-dimensional space. Occupying a space between sculpture, cinema and drawing, his work’s historical importance has been recognized in such exhibitions as “Into the Light: the Projected Image in American Art 1964-77,” Whitney Museum of American Art (2001-2); “The Expanded Screen: Actions and Installations of the Sixties and Seventies,” Museum Moderner Kunst, Vienna (2003-4); “The Expanded Eye,” Kunsthaus Zurich (2006); “Beyond Cinema: the Art of Projection,” Hamburger Bahnhof, Berlin (2006-7); “The Cinema Effect: Illusion, Reality and the Projected Image,” Hirshhorn Museum, Washington DC (2008); “On Line,” Museum of Modern Art (2010-11); and “Solid Light,” at Tate Modern (2024).

                   

McCall’s work has also been exhibited at, amongst others: Centre Pompidou, Paris (2004); Tate Britain, London (2004); SFMoMA (2007); Serpentine Gallery, London (2007-8); Hangar Bicocca, Milan (2009); Moderna Museet, Stockholm (2009); Serralves, Porto (2011); Hamburger Bahnhof, Berlin (2012); Kunstmuseum St Gallen – Lokremise (2013); Eye Film Museum, Amsterdam (2014); Lugano Arte e Cultura (2015); Pioneer Works (2018); Hepworth Wakefield (2018); Albright Knox Art Gallery (2019); and Guggenheim Bilbao (2024).

                   

Publications include “Anthony McCall: 1970s Works on Paper" (Ann Wagner, Verlag der Buchhandlung Walther Konig, 2013); "Anthony McCall: Notebooks & Conversations" (Graham Ellard and Stephen Johnstone, Lund Humphries, 2015); “Anthony McCall: Solid Light Works” (Luke Skrebowski, Antonio Somaini, SKIRA - Lugano Arte e Cultura, 2015); “Solid Light, Performance, and Public Works (Gloria Moure, Robert Hobbs, Ediciones Poligrafa Barcelona, 2016); “The Solid Light Films and Related Works” (Brandon W. Joseph, Jonathan Walley, Northwestern University Press, New Art Trust, 2005); “Five Minutes of Pure Sculpture” (Noam Elcott, Nationalgalerie im Hamburger Bahnhof - Museum fur Gegenwart - Berlin, 2012).

                   

Awards include the John Simon Guggenheim Memorial Foundation Fellowship, 2008; The Berlin Prize, Fellow of the American Academy in Berlin, 2014; Arts and Letters Award in Art, American Academy of Arts and Letters, 2015.

Anthony McCall, Between You and I, 2006, installation view 'Plot09', St. Cornelius Chapel, Governor's Island, 2009. Photo by Sam Horine. Courtesy Creative Time.
Anthony McCall, Between You and I, 2006, installation view 'Plot09', St. Cornelius Chapel, Governor's Island, 2009. Photo by Sam Horine. Courtesy Creative Time.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, Between You and I, 2006, Installation View, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Between You and I, 2006, Installation View, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972/2011, installation view, Serralves Foundation, Portugal, 2011. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972/2011, installation view, Serralves Foundation, Portugal, 2011. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972, performance view. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972, performance view. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, installation view, Whitney Museum of American Art, NY, 2001. Photo by Hank Graber. Courtesy of the artist and Sean Kelly Gallery.
Anthony McCall, Line Describing a Cone, 1973, installation view, Whitney Museum of American Art, NY, 2001. Photo by Hank Graber. Courtesy of the artist and Sean Kelly Gallery.
Anthony McCall, Face to Face, 2013, installation view, the Hepworth Wakefield, UK, 2018. Photo by Darren O'Brien/Guzelian. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Face to Face, 2013, installation view, the Hepworth Wakefield, UK, 2018. Photo by Darren O'Brien/Guzelian. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall. Exhibition view, Hamburger Bahnhof, Berlin, Five Minutes of Pure Sculpture, 2012. Photograph by Sean Gallup/Getty Images. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall. Exhibition view, Hamburger Bahnhof, Berlin, Five Minutes of Pure Sculpture, 2012. Photograph by Sean Gallup/Getty Images. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Skylight, 2020, installation view, Sean Kelly Gallery, LA. Photo by Brica Wilcox. Courtesy of the artist and Sean Kelly New York.
Anthony McCall, Skylight, 2020, installation view, Sean Kelly Gallery, LA. Photo by Brica Wilcox. Courtesy of the artist and Sean Kelly New York.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, Between You and I, 2006, installation view, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Between You and I, 2006, installation view, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, performance view, North Weald, England. Photo by David Kilburn. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, performance view, North Weald, England. Photo by David Kilburn. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, still from the 16mm film. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, still from the 16mm film. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, installation view at Artists Space, Line Describing a Cone 1973. Photograph by Peter Moore; © Northwestern University.
Anthony McCall, installation view at Artists Space, Line Describing a Cone 1973. Photograph by Peter Moore; © Northwestern University.